What Kind of Story Is It?

"How do I know if my story is just a short story, or if it might be a novel?" I get that question every now and then at my writing workshop, and it's valid to a point. Sometimes, we all get ideas about some project we want to take on, but a part of us wonders just what the final product will be like. Will a drawing be just a sketch, or a full painting? Will a poem just be a limerick or ten pages of beautiful prose? All creatives might go through a stage where they prepare to create something, but are not sure what the finished product will ultimately be. This uncertainty is common, and often can get in our way of actually taking on the task. Therefore, there is only one way to find out.

Start writing.

Regular readers of this blog know that I am, amongst other things, an avid bicyclist. I cycle mostly for distance and pleasure, rarely for speed. When I head out on a ride, I usually have a destination picked out, I know how much time it will take for a round trip, and how much water and rest I might need along the way. However, sometimes I just feel like getting outside. I don't necessarily know where I want to go or what I want to see, I just need to ride. This is similar to the hang-up of the writer wondering about the size of their story. The more they wonder, they less they actually create. So when I feel the urge to get out and ride, I don't concern myself with the destination. I just grab a water bottle and go.

Along that same vein, if my creative nerve gets tickled, I don't always know what that is going to become. Will it be a poem, a painting, a story, a song? What I do know, however, is that some idea has gotten under my skin and planted itself firmly in my awareness, and I need to act upon it to feel like I am doing it justice. It doesn't have to be a full concept or an outlined frame for a story. It can be boiled down to something very simple: "A monkey's favorite color," "happy lampposts," or "full-contact checkers." Do any of those have potential to be a full-fledged novel? Who knows? I don't know, but if I start writing about one of those, I might just discover some creative thread that turns the idea into something big.

Now, it's always worth noting that creations that emerge from wild ideas such as those can often grow into big piles of nothing. We write about a monkey and its favorite color, and nothing really catches fire in our minds. This is fine. This answers the question of, "What is this?" It's nothing - move on. Keep the writing in a file to perhaps revisit later, and go back to being a creative type. There's nothing wrong with this. The big mistake is not doing anything with it. Letting an idea wither on the vine does not do justice to the idea, and definitely does not do justice to the creative process.

And, as a side note, you should also know when to stop. If some little idea triggers you to write 300-400,000 words, you might actually have a few books on your hands. Or, perhaps, you have a real good idea to work with. In either case, keep on writing.      

The Secret Lives of Characters

While digging through a few boxes of family heirlooms and miscellany, I came across a few secret artifacts that surprised me. The first was a Little Black Book. Not just a little black book, but my father's Little Black Book containing the names, numbers, and pertinent information of various friends and contacts from his days right after leaving the Army. And, indeed, there were the names of at least a few girlfriends - including a listing under my mother's name (her maiden name). And amongst my mother's stuff, I found the class picture of her and her friends from second grade, including a friend she remained close to for the rest of her 86 years. I also discovered that my mother's nickname was "Giggles." Alas, why didn't I find this out sooner so I could hold that one over her head for a while?

All this is the introduction to a very simple point: in my life, my mother and father each held a very important role in my life: Parent. I knew them primarily through that lens - they were the couple that bore and raised me, taught me the things and stuff in life, and readied me to look down both barrels of being a grown-up. Most traits and aspects I attached to them were channeled through that conduit - something relating to being my parent. Therefore, sometimes it can feel a little odd to come to the cold, hard realization that my father dated women before even meeting my mother, and my mother was once a little girl that answered to Giggles. 

At the point when I made these discoveries, a strange thing happened. My parents transformed from these beings whose sole purpose in life was to raise me, and they became actual people. They became deep and real, Not just Mom and Dad but Carolyn and Jerry. I saw them outside of that pipeline of parents, and even conceived of how they lived lives very much like my own at one point. They horsed around, they had friends and got into trouble, they did odd jobs and had funny stories from them. They were full-fledged people.

When we write, we often know our characters through the filter of how they relate to the story. For our mystery, we might know our main lead is a detective who is a two-fisted drinker, good with a gun, great with the ladies, and short on temper. Or maybe for our horror story, the lead is a first-grade teacher with a dark secret that now threatens every child in the class. This is a great start, but out of respect for the story, we should ask more from our characters. We should explore who they are when they are not the protagonist. Do they have their own Little Black Books? Nicknames from second grade? 

Everyone who I have ever met has a favorite color, food, book, and song, and they can tell you exactly what it is and why they chose that one. If your characters are to be that real, at the very least you should know and understand their inner workings, their details, before you go too far with them. Play around with their thoughts, ideas, and motivations, and discover them as real people. Real people are so much more fun to write about.

But hopefully you will never see your mother's name in your father's Little Black Book.     

How Important is Genre?

We all have our preferences when it comes to reading, and we can all be picky at times. Even the more open-minded readers might hesitate if there's a story before them that is in a style they just don't click with. I will read most anything Stephen King writes, and I will hesitate at the works of Nathaniel Hawthorne. It's nothing about them personally, it's just that I prefer reading certain a genre more than others. (Though I literally could not finish The House of the Seven Gables. Sorry, Nate.) However, genre often comes with bias, and sometimes, as writers, we need to consider whether we want to steer our writing to fit into that genre.

To broaden this idea out, let's look at action movies. This category is fairly well-known, and comes with a lot of packaged assumptions. We know that character depth will be limited, fights will be extended to inhuman lengths, the first option will be to swing, shoot, or destroy, and when we get to an elaborate set-piece, there's a very good chance it will blow up by the end of the scene. Now, going into an action movie, these assumptions are kind of baked in and we adjust our expectations accordingly when we buy our ticket. Things will happen a certain way, if the main character seems a little transparent and one-dimensional, well, you really came to see things blow up, and the bad guy gets bumped off in a big showcase way at the end. Anything more is really above the bar.

As readers, we act the same way with our stories. If we are reading a paranormal thriller, we find ourselves believing that there's some kind of spirit world seeping into our lives and everyone just kind of goes with it (except for the naysayer who gets bumped off early in the book to reinforce the point). A mystery novel brings us a Rogue's Gallery of mischievous characters with marginal scruples amidst the stand-out character who figures everything out while everyone else either watches or dies. And when reading the horror genre, well, we let our darker angels judge humanity harshly, allowing for the worst of the worst to be played out before us. And if we are not ready to do those things, we don't read that piece.

But how would we approach a piece if we didn't know the genre?

Putting a book into a genre draws it to a particular audience, giving it the best shot of finding people who will connect with the style. Any book cover should immediately tell you if it's romance, fantasy, horror, etc., despite what they say about judging a book. However, most stories at their core are about people, conflict, and hopefully growth. When you write, does it matter whether that personal struggle to grow is done on a Kansas farm or on an Arcturan battle cruiser? The story can be any genre you want, mostly because at its root, there is no genre to the main story. It's like a nice, lean, chicken breast - you can't say if it's Jamaican or stir-fry or baked because it's just the core ingredient. The rest is prepping it how you want.

If you specialize in a particular genre, that's great - write everything you can in that way and really hone your craft. However, if you come across the idea for a story, find out what it is at its roots before you try and put it into the "appropriate" genre. Let the story inform you what serves it best, then write it that way. That's the genre of writing that's called "good writing," and everyone enjoys that.          

Old Habits Are Hard to Start

"Welcome back!" is what I hear the most now that I have officially returned from my vacation away from everything. And yes, it was time away from everything. Aside from listening to some local (Chicago) news and keeping up on my sports scores, I mostly tuned out all my creature habits. No television, no consulting work, and surprisingly, no writing. The environment was indeed inspiring and quite peaceful, but this was about disconnecting from things for a while, and I did exactly that. And I needed to.

Now that everyone has said, "Welcome back!" they have followed it quickly with, "Are you ready to get back to everything?" The answer is no. I have actually needed to rediscover my habits, reset my little priorities, and try and figure out just how I functioned prior to my vacation. Having been away from regular doses of friends, news, writing, complaining about the world, and so on, getting back into the routine has been difficult. However, this is also an opportunity.

I readily admit that not all my habits have been good ones. Back in my misspent youth, one of my habits was cigarettes - a blatantly bad habit but one that I insisted upon because it took the edge off a very jagged world at the time (and later because I was simply addicted). It started off with purpose and reason, but gradually interfered with my existence rather than contributed to it. Do you know how uncomfortable it is to go cross-country cycling with a cigarette in your mouth? Not easy at all. The habit had served its purpose and it was time to change.

Along a similar vein, my writing habits had taken different shapes, and this little time-out has given me time to re-assess. As I often recommend, a writer should have dedicated routines and places for writing, for editing, or for just being creative. These defined zones contribute to being in the right frame of mind for doing these processes, and the more familiar they become, the more conducive they are to those processes. Over the past few years, my boundaries have kind of drifted, and it was time to rewrite the rules. So, when I got home from this recent vacation, I formally established my literary zones - for serious writing, for creative writing, for editing, and for reading. This does require a mental reset, and there will be adjustment, but in the end it will all be worth it.

Another thing writers should drift toward is regular writing. This I am having some difficulty with given the chaotic nature of my schedule, but it is very important. Keeping the creative juices percolating is essential to being creative in general, so I am re-establishing my creative time (along with my intellectual time, my thought-free time, and other important times). Unless the world interferes, I give myself a half hour to think about things in a creative manner - ponder the "what if" of the world, or think about a story and ask myself how I would've written it. 

When you get the chance, look at the structure of your creative world, and see if it still fits. More importantly, see where it can be changed for the better, then go through the arduous process of actually doing it. And then, of course, make the changes and stick to them.

But maybe go on vacation first. I recommend SW Colorado - it's beautiful this time of year.      

On Vacation

All writers need it. All people need it. I need it. I am taking a vacation where I hang up my official writing duties until my next post, which will be July 11th. Until then. enjoy your holidays.

But don't be alarmed - I will still be creating stuff and thinking writing thoughts - just not on an official capacity. (And no, I won't actually be fishing.)