I hear it all the time. A conversation turns toward me being a writer, and someone says, "Man, I wish I was a writer like you. I really have some good stories to tell." When I ask why they don't write them down, they almost always come back with, "I'm just not a good writer." If I had a dollar for every time I heard that, well, I would have several dollars. However, none of those dollars would really help that person start on the journey to becoming a writer. I used to tell these people, "Well, why don't you try writing down a story and see what happens?" They never did, which is a shame, because that's literally all it takes to be a writer. Now I try a different approach.
When people have a bunch of good stories to tell but don't think they can be a writer, I now keep a different response in my pocket. If time permits, I say, "Well, tell me one. Whichever one you want." This kind of prompting gets them talking, and they tell me a story about their neighbor with the ferrets, or that time they accidentally set a garbage truck on fire, or the chili fight during sophomore year in high school. Nine times out of ten, they tell a complete story. At that point I thank them for sharing then say, "See? If you had written all that down, it would make you a writer. It's literally that easy." That doesn't always get those people writing, but it's good inspiration.Now here's the tricky part. Notice how I didn't say, "See? That's how you write a story." It is you who tells a story, and writing it down makes you a writer, but marrying those two into the combo platter of someone writing a story does have a few tricks to it that you only discover once you write down what you say and realize there is a little daylight between saying something and reading what someone says. Fill that gap between the two, and you can write a story.
That gap between telling and writing may seem like a technicality, but there's a lot of verbal storytelling that actually doesn't involve the words themselves. Inflections of tone can make a huge difference. Pacing yourself. The volume of your voice. Accents, dialect, shifting between characters - all critical parts of the verbal storytelling process that can get lost writing things down. And let's not forget that telling a friend a story comes with an array of facial expressions, gestures, raised eyebrow and confused glares that bring a lot to the show. I once saw Marina Franklin do a hilarious bit of stand-up where the closing two minutes was exclusively expression and gesture - not one spoken word - and the piece killed. Writing something like that is what turns a writer into a real wordsmith.
The truths of this piece are relatively simple. First, most people can tell a story, and some can do it well. Second, barring any literacy obstacles, most anyone can be a writer. And the big takeaway is this: fusing those two skills together might take some work and practice, but that's true of most any talent. In the end, you end up being able to write a story. And when someone says, "Man, I wish I was a writer like you," you will realize that you are, in fact, the writer they're taking about.
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