In a previous post, Caring About Our Stories, I mentioned how we need to ask ourselves “Why am I writing this?” As we develop the mechanics of the Process, we need to ask a more refined part of this question: “What is the purpose of this?”
With anything we write, that question should apply to every part. For any essay, screenplay, novel, or short story, we should be able to ask that question about something as broad as the entire work itself, or as narrow as a particular word we choose. The answer doesn’t have to be perfect, brilliant, or even insightful, but if the answer isn’t obvious, we need to ask ourselves if that part is necessary.
In my post, And So Begins the Process, I offered the example of my working manuscript called Easier than the Truth. In that post I demonstrated how to take a one-line idea and turn it into the bones of a story. Now we can follow through with that technique and apply our question of purpose to make sure this story focuses on what is necessary and leaves out what isn’t.
There’s the story in front of me, and I ask, “What is the purpose of this story?” This should be a very simple, concise answer, at least in the author’s mind. For this novel, it is, “To show how someone broke away from a life of denial and faced the harsh realities of their life.” One sentence; simple and to-the-point. As we start asking this about smaller and smaller pieces, the answers might be a little more elaborate, but they are just as important.
Now we narrow the focus from the story to a particular section. In Chapter 12, our protagonist, Tom, is driving to work early, with his friend, Phil, trying to catch some sleep in the passenger seat. “What is the purpose of this chapter?” This is where Tom explains his plan to bring together his out-of-control life. Simple and to-the-point, but we can still narrow this question further.
The next question would be, “What is the purpose of Phil in the scene?” Phil is skeptical of Tom’s plan and doesn’t think it’s a good idea. “What is the purpose of Phil trying to sleep instead of being wide awake?” It allows Phil to be dismissive rather than confrontational, thus allowing Tom’s plan to continue (plus Phil was up late). Again, it is… simple and to-the-point.
This can continue down to the individual words, but we won’t take it that far in this particular example. The point is that when we ask the right questions about our writing, the answers make our writing better. Then we can tell elaborate stories and explain complex ideas, yet our writing will be strong because it is simple and to-the-point.
I feel this is definitely important in fiction. I would be curious your thoughts on CNF writing, and the 'why' there?ReplyDelete
Intended moral of the story?
Just thinking out loud :)
Depending on the style, CNF can take different perspectives if it is speculative or documentary, or if it presents deductions based on anything other than hard factsDelete