All writers have a process that allows them to create. However, the art of "Writing" is often mistaken for that "Process." Hopefully this blog explains the difference, and inspires people to develop their crafts, become writers, or just keep on writing.
Friday, October 25, 2019
Miscommunication and Dyscommunication
I always have to tip my hat to another form of writing that can be a problem - jargon. We know it when we hear it, but often we don't know it when we use it. The main definition of jargon is a terminology unique to a particular subject, but when the reader is not able to gather the meaning through context, jargon falls to the alternate definition, "Language that is incomprehensible or unintelligible."
Without getting partisan, let's just think about the current political environment. People staunchly within the camp of their preferred party circulate words that are standard English but carry a very loaded meaning to people within that camp. The words liberal and conservative have very simple meanings in our language, but along the partisan spectrum they can be toxic words said with a snarl and a cocked eyebrow, or with chest-puffing pride. As writers, we don't need to pour our own politics into our characters if we don't want to. However, we at least have to recognize that certain words can redirect our readers if we are not careful. If we want to put a political voice into our writing, then we can garnish our writing with all the political jargon we wish. If that's not our desire, well, maybe saying "a conservative approach" is better written as "a reserved approach," or "a liberal use" becomes "a generous use."
Now for the subject of dyscommunication. In case you did not know, the word, "dyscommunication" is not a recognized word in our language. However, it transmits a meaning in that its structure communicates a message through the simple prefix of "dys," as in, "dysfunctional." This word doesn't talk about when we fail to communicate a message, but when we communicates a different, or perhaps opposing message. This can be a question of context, of framing a sentence just so, and putting the inflection in just the right or wrong place.
We've all heard the story of the husband and wife preparing to go out for the evening, and the wife asks, "Does this dress make me look fat?"
The guy answers, "That dress doesn't make you look fat."
A simple story. However, it would help the writer to add some context to prevent the wrong message from being picked up by the reader. He could get up, approach her, say the line while admiring her. The message is reinforced, assuming that's what he meant. But what if he meant, "That dress doesn't make you look fat" (implication: you look fat with or without it) or "That dress doesn't make you look fat" (implication: you look like you are hiding your fat.) Adding a little emphasis or context prevent dyscommunication.
Next stop: using poor language use to effect.