If there's one thing I struggled with in high school, it was grammar. My language usage was just fine when I spoke (though a little slurred), but when it came down to the academic parts of breaking down a sentence, that was it - I tapped out. My identification of the parts of a sentence was exclusively informed by Schoolhouse Rock (check YouTube if you aren't familiar), so I knew that "a noun is a person, place, or thing" and interjections were for excitement, for emotion, etc., and verbs did things. Other than that, I was fairly lost. I actually learned more about grammar from my German class, where prepositions were all-important and you always capitalized your nouns. However, I digress.
I am not bringing this up as a preface to a big writer's grammar lesson, but rather to set the stage that I am not one who dives deeply into grammar when it comes to writing. As an editor, if the verb and subject don't agree, I make the correction but I don't elaborate on the explanation. I don't go head-first into discussing split infinitives or dangling participles - I just point out the problem. And one thing I definitely don't want to get caught doing is preaching about when something is an object or a subject. I am, however, going to plant a little seed here about how you should consider these things in your writing.We all know what an object is - a table, a dog, a chicken. We know how to describe objects - the sturdy table was made of thick oak and polished regularly to a bright shine. However, how does this help us in our writing when it comes to object versus the more enigmatic concept of a subject. Well, glad you asked. Per my earlier discussion, I am not going to go into the details of how things get defined and classified, and lay down a bunch of rules that most people don't know anyway. Instead, I will offer a way to think about things that should help differentiate between the two as far as your writing is concerned.
Too many times, we write about our characters as if they were objects. We give them a calculating description, going over them to bring out the details and provide an image that a good sketch artist could work with. However, when it comes to writing about a person, place or event as a subject, write about it not in clinical detail, but like you care about it; like you want to know it personally. If I want to identify a person at a bar, give me a description of them as an object. If I want to get to know someone better, tell me about their interesting features, their qualities that make them worth investigating.
If I am describing, say, a farm dog as an object, he might be a 100-pound sheepdog, his long fur patched black and white, with his big head hanging down below his shoulders. Now I can see that dog. As a subject, however, I would talk about how that big lug would chase the chickens that got out of the pen, barking and howling but never running fast enough to catch one, just putting a little fear into the ones trying to make a break for it. Now that dog has personality, even for a dog.
Sure, plenty of people might complain that I didn't discuss the object/subject rules. That wasn't my intention, so mission accomplished. However, treating your various characters like subjects versus objects brings them into the story as opposed to them being just set decorations. The writing is always better for it.

No comments:
Post a Comment