So we’ve addresses the
question about making time to write, and we’ve talked about mustering up the
energy to write. We’ve also brought up how these are critical factors in
developing “the process.” But now we’ve reached the important part – that big
matzoh ball in front of us that can’t be avoided. No, the “M” word is not
matzoh. It’s motivation.
As I discussed in the premier post in this blog, my initial motivation for writing was to make my
stories heard. To insure they didn’t die with me. That’s an easy
motivator – probably too easy to help anyone who is healthy. But that is also
the problem. My health is fine now, yet I still write. My motivator has
changed, and I am changing with it. What motivates us to write rarely stays the
same. It will shift around over time, it will hide itself now and then, and sometimes
it will present itself in the strangest shapes. And these are all good signs
that we are growing as writers.
In the previous
discussions about finding time and energy, the pivotal question was “How?” With
motivation, the question is, “Why?” And this is the question we have to ask
ourselves not just when we start writing, but as we develop our process, as we
change projects, as we discover new parts of our writing voice. And sometimes,
a part of our adventure is when we can’t quite answer the simple question of,
“Why?”
By the time we are full-fledged,
card-carrying, secret-handshake-knowing writers, whenever we wonder why we
should write something, the answer will be as simple as, “Why not?” But until
we reach those lofty heights, that question will be a tough one to face. And
while it might not feel as satisfying, sometimes the best way to figure out why
we are writing something is to say, “Let’s find out.”
I once had this image
in my head that I wanted to write about. It was a teenager driving over 100 m.p.h.
down a country road in the dead of night, flying through every intersection,
blowing through every sign, then coming over a hill to see a cow loose from the
barn standing in the middle of the road right in front of him. I wanted to
write about it, but I didn’t know what the story was. Aside from that bare-bones idea, I had nothing to follow up. If there was an accident, who cared? Where’s
the story? Is it a story? Is my subconscious just mad at cows? Who knew? All I
knew is that this image was stuck in the chamber, and I had no idea what it
was.
Since I didn’t know the
motivation to write about it, the “why” was unanswered. So I said, “Let’s find
out.”
As I typed up this
non-story, I got a feel for who it was behind the wheel. The mere act of typing
up the incident allowed other ideas to gravitate toward it, coming together
like those last few Cheerios floating aimlessly in the milk. I started seeing
the character’s motive. I sensed how this could become a story. And most
importantly, I identified it with a friend of mine who did similarly crazy
things back in his teen years. That person shall remain anonymous, but he is
now an upstanding citizen and generous contributor to society. The fact that
the first car he drove after getting his driver’s license was a stolen cop car
is neither here nor there.
So what was my
motivation? My only motivation was to find out why this thought was buzzing
around my mind. That might not sound like much, but it got me to write a rough
draft of a story that might go into a forthcoming novel (forthcoming = next 5-10
years). If you want, you can read the draft, tentatively called, “Lessons of Our Youth,” which is about someone who – and I cannot emphasize this enough –
is not named Matt in real life.
Searching for
motivation can be a difficult part of the process, but sometimes it is the
least necessary. If you give yourself permission to write things that might not
be your best work, then you take the pressure off and no longer require the
perfect motivation to write whatever you feel. Your motivation can then be as
simple as, “I want to see where this goes.” And as it takes you to wherever,
hopefully you learn a little something about yourself along the way.
I like your idea of beginning the writing process and let the why (and motivation) come on it's own. As a writer who believes that everything that I put on paper should be profound, concise, and interesting, my motivation is often squashed by need for perfectionism.
ReplyDeleteSave the perfection for the final draft. If the first draft doesn't work, you can save yourself a lot of time by shelving it
DeleteI'm all about little victories. I set a daily word count and shoot for finishing a scene. If I can achieve both or at least one of those things I've moved forward in the plot. I feel that having an ultimate word count goal is important too. I shoot for 60 grand but I write short books.
ReplyDeleteThe step-by-step process makes it so much easier than just saying, "I will now write a book. Here we go..." Of course, even with the stepwise approach, I check in now and then and ask myself, "I have added words, but have I advanced the narrative or have I just killed space." If it's the latter, time to examine where I am going.
DeleteThis comment has been removed by the author.
ReplyDeletewell said.
ReplyDelete